The French Catholic Spirituality model I have been developing for the past twelve years to which I often refer is, as stated in my writings, bimodal. That was the beginning form. Over these many years, I have focused on two particular phenomena, a sudden “instant instance” whereby I received an intuition about Thérèse of Lisieux and a sudden “instant instance” whereby I received an intuition about Joan of Arc. This bimodal experience became the definition of my life, and anyone who knows anything about Thérèse of Lisieux also knows that she and Joan together represent a spiritual speciation of a more encompassing genus of French Spirituality. Thus, by simple syllogism, my life became defined by French spirituality.
My efforts the past few years have been around modeling the experience, the idea being that the instantiation of Joan and Thérèse in my life is an objective reality given to me in my own subjectivity. The challenge to objectify subjective phenomena began. The solution came through the philosophy of Edith Stein and her mentor Edmund Husserl. As I integrated Stein into my work, it became clear the she was the only philosopher who could close the system and give me relief in my search.
Through Husserl, I came to define the bimodal “instant instances” (my term) as his “primordial dator” which, according to him is the “principle of all principles.” The area under the curves represents the speciation of the model through intuition of essential essence (Husserl) with the model developed in a “step-by-step” fashion (Stein).
The capstone for me, though, has been the one principle I added on my own that gave the model its final presentation and life – syntax. I added syntax after reading Husserl and experiencing the most serendipitous (seemingly) encounter with the works of the French pop artist Nolwenn Leroy (how unexpected!). That experience brought to light the principle of syntax which demonstrated how the model was “ordered” so as to be a complete instantiation of my “primordial dator” experiences in 1984 and 2008. Syntax represents the spirit that orders it to a certain rhythm and mathematical beauty.
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